Operating as designed…

blog.StupidWatergate-OliverI don’t write about current events. If anything, my thrillers anticipate them.

We are living through what the comedian John Oliver aptly calls Stupid Watergate, which is “a scandal with all the potential ramifications of Watergate, but where everyone involved is stupid and bad at everything.”

But what if an administration were run by smart, seasoned, ruthless political operatives? What if it were the culmination of a years-long plan? What if–historical norms aside–the President’s Constitutional powers were operating more or less as designed, so that the sinkholes created by the systematic erosion of democracy couldn’t even properly be called a “crisis?”

“If the president does it, it’s legal,” Nixon famously asserted.

And what if one party controls all the levers of power meant to check them? We’re seeing in real time what a pliant Attorney General can accomplish merely by resisting. What if the AG were actively involved?

In my third thriller, Emergency Powers, Agent Imogen Trager confronts this very problem, and she knows that the incoming AG will discredit and close her investigation:

When FBI Agent Imogen Trager learns that the President has died in office, she knows it’s no isolated tragedy but the final stage of a dark network power grab. The new president owes his position to a clandestine power that’s avid for greater control.  Not content with merely “owning” a President, the wealthy, ruthless autocrat known only as The Postman plans to tighten his grip on power by staging a horrific false flag terrorist attack, which will allow his new President to invoke emergency powers and martial law. The pendulum of rule has swung decisively.  Unless Imogen can stop them, it won’t swing again.

As bodies pile up and leads go cold, a break in the case arrives when a dark network operative on the run from the FBI and marked for death by the Postman, reaches out. Trager is wary of trusting him, and not only because he’s offering intelligence that sounds too good to be true.  He’s already tried to kill her once.

That’s the premise of the “noir politik” thriller, Emergency Powers.  

It’s not precisely what we’re experiencing in the moment, but as the earlier thrillers have demonstrated, it’s certainly possible–Faithless Elector pitted Duncan Calder and Imogen Trager against a conspiracy that tries to steal the presidency by manipulating the Electoral College; and in Dark Network, Imogen confronts a diabolical plot–and a mountainous FBI “mole” hill–when Congress convenes for a contingent election.

In Emergency Powers, the conspirators are two steps away from total rule. Unless Imogen and her colleagues can find and exploit a gap in the armor, the conspiracy will prevail. She’s running out of time.

 

James McCrone is the author of the Imogen Trager political suspense-thriller series Faithless Elector and Dark Network.  The third book, working title Emergency Powers, is coming soon.

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Find them through Indybound.org.  They are also available at Amazon, Barnes & Noble, and Powell’s Books.

Link to REVIEWS

If you live in Philadelphia, pick up a copy at Head House Books -or- Penn Book Center or in Princeton at Cloak & Dagger Books.
For a full list of appearances and links to reviews, check out:

JamesMcCrone.com

 

 

 

Landscape as character

Screen Shot 2019-05-03 at 11.21.11 AMRecently (May 2, 2019), CrimeReads did a fine piece on The Importance of Setting, but its focus was on whether it made sense to choose a real place or to invent one.

It’s an interesting read (and of course it added to my TBR pile!), but I’m fascinated with stories that use their settings almost as characters in their own right. Why did the story happen in one place and not another? Could the same story be told in a different locale? Why is this place different from any other?

Some of the most recent novels I’ve read–Buzz Killer by Tom Straw; Below the Fold by R. G. Belksy, Hipster Death Rattle by Richie Narvaez; Record Scratch by J.J. Hensley and August Snow by Stephen Mack Jones–all use the landscape of their chosen city very well.  For Tom Straw and R. G. Belsky, it’s New York City; for Narvaez it’s Brooklyn (Williamsburg); for JJ Hensley, it’s Pittsburgh; and for Stephen Mack Jones, Detroit. 

MultiBookI’m drawn to their subtly (and not-so subtly) expressed exasperation with how cities are changing. Since people started gathering in them, they’ve been a place of excitement, diversity and exchange, teeming with stories, with filth, and above all, a mixing of people. The writers listed above struggle with where we’re heading, and their protagonists and stories reflect that uneasiness.

Change has always been a constant, but this time feels different, they seem to say. In Buzz Killer, Macie Wild struggles with the notion that New York has become “a tale of three cities,” with little or no connection to one another; Belsky’s Clare Carlson struggles to synchronize a former New York’s giddy sense of possibility with what we see now.  JJ Hensley’s Pittsburgh and Stephen Mack Jones’s Detroit are wistfully rendered, detailing and juxtaposing what was…with what is. (My only quibble with Hensley is that when casting about for really violent, dangerous thugs, his Yinzers import a group of–of course!–Philadelphians, as clearly among the worst. C’mon! Cleveland’s closer. They don’t have head-breakers?)

I liked that Hipster Death Rattle focused on Williamsburg, and the fraught changes happening there. It put me in mind of where I live. When people ask where I live, I say South Philly, because I don’t want there to be any doubt about what I mean. It’s distinct from the suburbs (obviously) and from Center City, the Northeast or, say Fishtown. It’s changing, too, but it’s still a mix of people (mostly) getting loudly along. Stoop culture still prevails and a dense web of family and extended family live throughout the neighborhood, just around the corner, up the block; and that family life is still largely enacted in public.

This isn’t where I come from, but it’s where I’ve chosen to be. So far, I haven’t written anything that’s set mainly here in Philly, though parts of both Faithless Elector and Dark Network take place on Catharine Street. But, like the authors and their work I’ve discussed above, I feel that there’s something coming.

Invent a place or work with what you’ve got? There’s freedom in making it all your own, certainly. But there’s more source material in a real place.

 

NOTE: I’ve begun posting reviews of the books I’ve read, and they can be accessed here. I also post them on Amazon, Goodreads and BookBub.

 

James McCrone is the author of the Imogen Trager NoirPolitik thrillers Faithless Elector and Dark Network.  The third book, working title Emergency Powers, is coming soon.

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Link to REVIEWS

If you live in Philadelphia, pick up copies at Head House Books -or- Penn Book Center or in Princeton at Cloak & Dagger Books.
For a full list of appearances and links to reviews, check out:

JamesMcCrone.com

 

 

Record Scratch has writing that’s crisp and direct, with wit, humor and darkness

Screen Shot 2019-06-24 at 3.12.12 PMIn JJ Hensley’s compelling Record Scratch, Trevor Galloway takes a case from the sister of a murdered superstar musician, who expects him not only to solve her brother’s eight-month-old homicide, but to recover a vinyl record she believes could ruin his reputation and his legacy. The client closes the meeting by putting a gun under her chin and pulling the trigger. Galloway’s sense of obligation drags him down a path he may not be ready to travel.

This is the second in the Trevor Galloway series, beginning with Bolt Action Remedy (2017), and following up later this year (Oct. 14) with Forgiveness Dies.

I’m a bit late to the party, not having read the first Galloway thriller, but I never felt lost in the plot, and Hensley keeps the action going. The writing is crisp and direct, with wit, humor and darkness as the trail to what really happened to rock star Jimmy Spartan unfolds. It probably isn’t a spoiler to note that things get violently out of hand for Galloway, but I’ll leave it at that.

As Galloway pieces together the final days of rock and roll legend Jimmy Spartan, he struggles to sort through his own issues, which include having the occasional hallucination. He’s not certain how bad his condition has deteriorated, but when Galloway is attacked in broad daylight by men he assumed were figments of his imagination, he realizes the threat is real and his condition is putting him and anyone nearby at risk. The stoic demeanor and ironic distance that earned Galloway the nickname The Tin Man works well as a device for carrying the story forward, even as that detachment is tested.

Pittsburgh, PA, itself plays a role in this thriller. Like Stephen Mack Jones’s Detroit, the author guides us through the city, its neighborhoods and its denizens with familiarity, exasperation and love. I enjoyed every page of Record Scratch, and I read the final third in one night. The picture of a man slowly coming unmoored from the codes to which he had adhered and that gave his life meaning is fascinating, compelling and darkly satisfying. The novel begins and ends ominously: “There are two types of men you must fear in this world: Men who have everything to lose—and men like me.” 

The stakes and the conflict are real. Recommended for anyone who likes forceful, intelligent thrillers.

 

This is one of an occasional series of mystery-thriller book reviews, archived here.

James McCrone is the author of the Imogen Trager NoirPolitik thrillers Faithless Elector and Dark Network.  The third book, working title Emergency Powers, is coming soon.

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Link to REVIEWS

If you live in Philadelphia, pick up copies at Head House Books -or- Penn Book Center or in Princeton at Cloak & Dagger Books.
For a full list of appearances and links to reviews, check out:

JamesMcCrone.com

 

 

In Below the Fold, every life, and every passing, has its meaning.

Every human life is supposed to be important. R. G. Belsky’s latest Clare Carlson mystery,

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Below the Fold, begins with the death of “a nobody,” the kind of news that falls “below the fold.” Carlson is a veteran TV news reporter, and she knows all about the deaths that matter…and those that don’t.

But Carlson—a TV news director who still has a reporter’s instincts—decides to dig deeper into this seemingly meaningless death. She uncovers mysterious links between the murdered “nobody” and a number of wealthy and influential New York figures. Their names, together with that of the murdered homeless woman, turn up on a list left at a second murder scene. There’s no obvious connection between any of the prominent citizens, but soon there are more murders, and more questions.

Along with a being a compelling murder mystery, Belsky’s novel successfully describes the large and small effects people have on one another, like ripples in a pond, radiating outward, colliding and intersecting with the ripples other lives produce. Those resonances prove key to solving the mystery, so I won’t say more.

Readers who like an engaging, well-crafted mystery with fascinating twists will love Below the Fold. The writing is crisp and economical, and I felt pulled forward into the story as it delved deeper into the mystery. It’s the second in the Clare Carson series, but it can easily be read as a stand-alone. Along with Clare herself, the most engaging character is the policeman-with-a-past Scott Manning.

In less skillful hands, murder mystery victims can often feel like mere plot points; but in Below the Fold, Belsky gives the dead back their humanity. Every life, and every passing, has its meaning.

Highly recommended.

 

James McCrone is the author of the Imogen Trager NoirPolitik thrillers Faithless Elector and Dark Network.  The third book, working title Emergency Powers, is coming soon.

JMc-author2.2017

Link to REVIEWS

If you live in Philadelphia, pick up copies at Head House Books -or- Penn Book Center or in Princeton at Cloak & Dagger Books.
For a full list of appearances and links to reviews, check out:

JamesMcCrone.com