Category Archives: Writing

Scene settings from #BastardVerdict, part one

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I’ve had some lovely notes from readers about the new thriller Bastard Verdict, and one of the things that’s often called out is that they know well the locations I use. During my recent trip to Scotland for Bloody Scotland, I took the opportunity to revisit many of the settings–in Glasgow, Edinburgh and Alyth. I didn’t make it to Dundee on this trip, but I have photos from my original visit in 2019.

In the novel, Imogen Trager, an FBI agent with a PhD in political science, is taking leave from the Bureau as a visiting fellow at University of Glasgow. She’s nervous about this new role, and committed to keeping her nose clean while away. Her inability to do so in the past is one of the reasons her bosses at the Bureau are happy she’s taking this sabbatical.

The Adam Smith Building figures largely in the book. Imogen’s office is broken into there, and her ally Wee Frankie has his office just down the hall. And the story opens there as Imogen gives her inaugural lecture:

<<Anyone with the temerity to look upward into the rain that night on campus would have witnessed a kind of negotiated settlement between light and dark, as the wet Glasgow night held the pale glow from the Adam Smith building’s top floor close in a murky halo.

One man did look up, before sullenly returning to the meager shelter of a young birch tree outside the west entrance to the building. He mopped his face and dabbed his bald head with a handkerchief as he settled back against the tree trunk.

Inside those high windows, brightness reigned, the lecture theatre dazzlingly arid and contemporary. Though it was chilly for all that. Not that Imogen noticed. Within her slow-burn, imposter syndrome panic, she felt flushed, anxious as she began taking questions…>>

Imogen’s barely been in Scotland for a week, when one of her new colleagues, together with a Scottish government official, ask her to look into irregularities in the first Independence referendum.

<<“Maybe you might look at it?” he says. “Unofficially, of course. Because irrespective of what’s been said publicly, a number of us are pretty convinced it was stolen last time. And if this second referendum does go forward, we want to make sure it isn’t stolen again.”

She walks to the department dinner with the official, Ian Ross. Surely, Imogen counters, there must be any number of people qualified to investigate. “Why me?” she asks again.

“It’s delicate,” he said, looking behind them for a moment. “Anyone we might use officially would be embedded in or seconded from the Electoral Commission or the Met. Or both. And they would have to make reports. Once that starts, we couldn’t be certain whom they were telling or where their directives were coming from—a clusterfuck, if I might borrow a vivid American term—of epic proportions.”

Christ, she thought, it sounded a lot like the situation she was running from at the FBI, even if it was delivered in a dulcet Scottish accent…>>

Meanwhile, the bald man who stood vigil outside the Adam Smith building is following them.

That same night, in Dundee, Buff Lindsey, “shop steward” for a local crime syndicate, interrogates and murders a man who had been following him for three days. He learns nothing.

Next up, “dark jets of coalfire.”

# # #

Bastard Verdict is available now in paperback, and eReader!

YOU DON’T NEED TO WIN, JUST DON’T LOSE
In politics, people cheat to win, or because they’re afraid to lose. The difference can be deadly.

Imogen will risk what’s left of her standing, her career–and maybe her life–to get at the truth.

James McCrone is the author of the Imogen Trager political suspense-thrillers Faithless Elector, Dark Network , and Emergency Powers–noir tales about a stolen presidency, a conspiracy, and a nation on edge. Bastard Verdict, his fourth novel, is about a conspiracy surrounding a second Scottish Independence referendum. To get the details right for the new thriller, he drew on his boyhood in Scotland and scouted locations for scenes in the book while attending Bloody Scotland.

All books are available on BookShop.org, IndyBound.org, Barnes & Noble, your local bookshop, and Amazon. eBooks are available in multiple formats including Apple, Kobo, Nook and Kindle.

He’s a member of MWA, Int’l Assoc. of Crime Writers, and he’s the new president of the Delaware Valley Sisters in Crime chapter. He lives in Philadelphia. James has an MFA from the University of Washington in Seattle. His current, work-in-progress is a mystery-thriller set in Oregon’s wine country…A (pinot) Noir, called Witness Tree.

For a full list of appearances and readings, make sure to check out his Events/About page. And follow this blog!

His most recent short fiction is below. The first is available for online reading.

“Eight O’Clock Sharp” in Retreats from Oblivion: the Journal of NoirCon. (free online)
Set in Philadelphia’s 9th Street Market, Thomas is a man outside of time, forgotten, but trying to do the right thing while contending with avaricious forces.

“Ultimatum Games” in Rock and Hard Place magazine issue #7
A rare book heist, bad decisions. The narrator and his partner-in-crime clash over evolving bourgeois norms.


“Nostalgia” in Low Down Dirty Vote, vol. 3
An armed group tries to resurrect a past that never was as they struggle with change.

Guest posting

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During the launch for Bastard Verdict, I was able to “guest” on some great blogs – Murder is Everywhere, The Book Diva’ Reads and The Mystery of Writing. I was excited to contribute, and I looked forward to adding to the discussion. In this case, about collaboration, seeking help with a book and about verisimilitude. I’m grateful for the opportunity. Because most of them deal with the theme of taking help where it’s needed and/or given, I thought I might link to them again.

You might check out these and other posts, and follow these blogs.

In “The Voices in My Head”, for Murder is Everywhere, I talked about how I’d lived in Scotland as a boy, and had longed to write a story set in Scotland. Doing so created a set of unique writing problems… MORE

For Elena Hartwell’s Mystery of Writing, I explored collaborative writing: “I think that if I’m honest with myself, I wouldn’t be a very good collaborator. I worry that sharing the vision would diminish the work…” Or would it? MORE

In “It Takes a Village,” on the Book Diva’s Reads blog, I began, “The writer needs a combination of arrogance and humility—arrogance to carry you over the bad spells of imposter syndrome and worse, and humility about the work itself, and your own limitations….” MORE

The crime writing community is very engaged and supportive.

# # #

James McCrone is the author of the Imogen Trager political suspense-thrillers Faithless Elector, Dark Network , and Emergency Powers–noir tales about a stolen presidency, a conspiracy, and a nation on edge. All books are available on BookShop.org, IndyBound.org, Barnes & Noble, your local bookshop, and Amazon. eBooks are available in multiple formats including Apple, Kobo, Nook and Kindle.

His current book, Bastard Verdict, debuted on May 18th. A noir political thriller set in Scotland, it’s available through the link above, or wherever you buy your books. His current, work-in-progress is a mystery-thriller set in Oregon’s wine country…A (pinot) Noir, called Witness Tree.

A Seattle native (mostly), James now lives in South Philadelphia with his wife and three children. He’s a member of the The Mystery Writers of America, Int’l Assoc. of Crime Writers, Int’l Thriller Writers, Philadelphia Dramatists Center and is the president of the Delaware Valley chapter of the Sisters in Crime network. James has an MFA from the University of Washington in Seattle.

For a full list of appearances and readings, make sure to check out his Events/About page. And follow this blog!

His most recent short fiction is below. The first is available for online reading.

“Eight O’Clock Sharp” in Retreats from Oblivion: the Journal of NoirCon. (free online)
Set in Philadelphia’s 9th Street Market, Thomas is a man outside of time, forgotten, but trying to do the right thing while contending with avaricious forces.

“Ultimatum Games” in Rock and Hard Place magazine issue #7
A rare book heist, bad decisions. The narrator and his partner-in-crime clash over evolving bourgeois norms.


“Nostalgia” in Low Down Dirty Vote, vol. 3
An armed group tries to resurrect a past that never was as they struggle with change.

Secondary characters

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I used to daydream about writing for Law and Order back when it was still running*, not for its propulsive, plot-driven narratives, and certainly not its copaganda, but for the occasional, random, richly drawn secondary or even tertiary character(s); some random person who helps the plot along, but whom you probably won’t see again. True, there are a lot of stock interactions and tropes in Law and Order, like the one comedian John Mulaney has satirized as “guy who while being questioned by homicide detectives will not stop stocking crates…”, a kind of expository action-within-inaction reminiscent of the Sorkin walk, or any of HBO’s “sexposition” scenes.  

But occasionally, and the reason I wanted to write for Dick Wolf, the episodes will also give time to brief encounters with memorable criminals. Yes, I want to know whodunnit, but the cream in my coffee, the a la mode on my pie, are the people, the characters. I’m not talking about dramatic flashbacks, but about artful, iceberg-like, less-is-more character moments. One that sticks with me was a brief interchange between Briscoe and a heroin addict being held for questioning.

The heroin addict has been detained for hours, and he needs his fix—badly—and he’d very much like to leave, now that he’s told the police everything he knows. Briscoe makes some wisecrack about how much money the addict is spending on heroin, and the addict launches into a brief, surprisingly cogent, economic disquisition on how well heroin has held its value in the marketplace. “Pot, cocaine,” he says disdainfully, “the price per gram has doubled over the past few years, but heroin’s still right where it always was. Gram-for-gram, ounce-for-ounce, heroin’s still your best value.” Not even Briscoe had a comeback for this sage advice.

Why do I love those exchanges? Because in a world of formulaic television, strange, vivid, serendipitous encounters are the stuff of life. I’ve written elsewhere about how I try to remain alive to possibilities, and I write down moments and exchanges I’ve been party to or eavesdropped upon. I hold onto them because even though they’re real and therefore could mean anything (or nothing), they feel like more than what they are—and maybe someday I’ll have a place to use them.

I’ve been pleased, in Bastard Verdict, that the character of Alan Wilson, a young, up-and-coming, petty criminal in an organized crime gang, has caught on. I needed someone with underworld ties to make the story work, but I needed him to be more than a conduit for the plot. To put flesh on his bones (so to speak), I created a backstory for him (one I know but don’t go into great detail about), and introducing him, I ripped off an exchange from my long-past drug days, and a deal I made in a pub bathroom.

I’d gone into the bathroom to wait for my dealer. When he came in, he was aghast that I was just standing there. “At least pretend you’re taking a piss,” he said to me all those years ago.

But how and why do some secondary characters strike a chord with readers where others don’t?

I’ve been pleased that some of my secondary characters have resonated with readers. Though I as I noted in the WHAT I LEARNED interview with the Indy Author/Matty Dalrymple, I had hoped the lawyer, Ewan Johnston would have garnered a bit more attention.

I remember an early reading of Faithless Elector in Oxford, where a young woman from the audience that day came up to me afterwards, wondering if I was going to give the cab driver more “stage time” in a future book. “I’m sure he’ll be back!” she said. I was glad the cabby had “landed” but sad that Mr. Fitzwilliam, the super in Professor Calder’s building had not. I wanted Fitzwilliam to resonate as the kind of good, everyday person whom we might all hope would (collectively) be the bulwark against the kind of conspiracy that’s unfolding. I even gave him a kind of heartwarming joke but no one mentioned him in reviews.

Special Agent in Charge Amanda Vega in Dark Network gets good reviews, but I’d also hoped that the courier, Jimmy May, would have engendered similar affection. While no one disparaged him, no one said, “will he be back?” He was, in Emergency Powers, as was Vega. In Emergency Powers, I brought back the cabby, but I had really hoped that Kirsten, the waitress at a tiny, Midwest airport would gain more traction than she did. Again, I wanted to juxtapose her ordinary, everyday-ness with the dire things going on in the conspiracy.  Strangely, the bad guy, Frank Reed, even received some plaudits. I had one reader write to me to say how odd it was to be rooting for him.

I’m not sure why some secondary characters break through and others remain in the background, I’m pleased that the young criminal Alan Wilson, who becomes a kind of moral center in Bastard Verdict, seems to have become a favorite, with two reviewers expressing the hope that he’ll be back in a further installment.

I’ll see what I can do! 🙂

*Wait, L&O is back on the air?

# # #

James McCrone is the author of the Imogen Trager political suspense-thrillers Faithless Elector, Dark Network , and Emergency Powers–noir tales about a stolen presidency, a conspiracy, and a nation on edge. All books are available on BookShop.org, IndyBound.org, Barnes & Noble, your local bookshop, and Amazon. eBooks are available in multiple formats including Apple, Kobo, Nook and Kindle.

His current book, Bastard Verdict, debuted on May 18th. A noir political thriller set in Scotland, it’s available through the link above, or wherever you buy your books. His current, work-in-progress is a mystery-thriller set in Oregon’s wine country…A (pinot) Noir, called Witness Tree.

A Seattle native (mostly), James now lives in South Philadelphia with his wife and three children. He’s a member of the The Mystery Writers of America, Int’l Assoc. of Crime Writers, Int’l Thriller Writers, Philadelphia Dramatists Center and is the vice-president of the Delaware Valley chapter of the Sisters in Crime network. James has an MFA from the University of Washington in Seattle.

For a full list of appearances and readings, make sure to check out his Events/About page. And follow this blog!

His most recent short fiction is below. The first is available for online reading.

“Eight O’Clock Sharp” in Retreats from Oblivion: the Journal of NoirCon. (free online)
Set in Philadelphia’s 9th Street Market, Thomas is a man outside of time, forgotten, but trying to do the right thing while contending with avaricious forces.

“Ultimatum Games” in Rock and Hard Place magazine issue #7
A rare book heist, bad decisions. The narrator and his partner-in-crime clash over evolving bourgeois norms.


“Nostalgia” in Low Down Dirty Vote, vol. 3
An armed group tries to resurrect a past that never was as they struggle with change.

Koi, Frogs and the Question Not Asked

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I’ve written elsewhere about how even as a child I’d see something happen and wonder whether I was seeing the beginning, the middle or the end of a story. I’d see two people arguing, or someone crying on the bus; or I’d see a toddler rapturously chase pigeons across the pavement, and I’d wonder what happened before, what would happen next. And I’d wonder what the story was. Who are the people involved? Somewhere around the age of 10 or 11 I was shocked to find out that not everyone does this.

I want to know these things because my brain is wired that way, and because I’m nosy (I admit that freely); and irrespective of where in the story we are, I want to pay attention, to make use of real details in my writing because those moments, what the people do and say, the emotion, the real quirks, verbal ticks or turns of phrase can show so much more than simple telling or hit-you-over-the-head backstory. It makes for a more satisfying story, certainly.

This past weekend we spent a lovely time by Lake Ariel, in the Poconos. On Saturday morning I took a walk around the lake with my wife and one of our daughters. It was a lovely morning as we walked in and out of dappled shade. The people we encountered seemed cheerful and friendly. As we passed one house, a man asked us if we were interested in wildlife and whether we’d like to see his pond. We said, yes.

He was retirement aged, and he lounged sideways at the rocky edge of a shallow, 10 foot by 12 foot oval-ish body of water, gazing into the water, like paintings of Narcissus. He pointed out the carp (they were mottled and colorful, like small Koi fish) and then directed our attention to the side of the pond where a good-sized frog perched. Its body was about the size of my hand, but it took a few moments of staring where the man pointed for me to see the frog because it was so still and well camouflaged.

From him, I learned about the trials and tribulations of recreating a pond that had been previously destroyed; the difficulty of moving rocks into place, in keeping frogs once they fledged, or whatever it is they do when they’re not tadpoles anymore; that the fish in his pond were carp rather than true koi because a single koi could cost as much as $65 (he had eight or ten of them). All of which was interesting and diverting, and it felt like precisely the kind of thing we ought to be doing on a lovely day in the countryside.

Then he said: “Now, the question you didn’t ask…”

My brain arced as I realized there was more for me to be paying attention to! I hadn’t asked him a single question other than “how are you this morning?” nor had my wife or our daughter. He’d supplied the whole narrative unbidden. There were a hundred questions I hadn’t asked because as diverting as his monologue had been, after about ten minutes I wasn’t sure how much longer I wanted to stand there. Which question could he mean?

“You’ll want to know how I keep the carp over the winter,” he said.

Did I?

Stupidly, I hadn’t carried my notebook with me. I hadn’t thought I might stumble upon gold. I hope I’m not seeming to disparage this man. He seemed decent and thoughtful, and I’m pleased to have met him. But the words “Now the question you haven’t asked…” utterly exploded in my writer’s head.

Will I use it in a future story or novel? I have no idea. But as a verbal tick to reveal character it seems wonderful. Or, more likely, it could do double duty and also serve as a larger motif. Indeed, it kind of encapsulates the act of writing. Probably no one who has read this far conceived of the question I was answering, and certainly no one who has read my novels told me to write them. The books hang out on the shelf, beckoning for attention, answering a question you may never have asked.

# # #

James McCrone is the author of the Imogen Trager political suspense-thrillers Faithless Elector, Dark Network , and Emergency Powers–noir tales about a stolen presidency, a conspiracy, and a nation on edge. All books are available on BookShop.org, IndyBound.org, Barnes & Noble, your local bookshop, and Amazon. eBooks are available in multiple formats including Apple, Kobo, Nook and Kindle.

His current book, Bastard Verdict, debuted on May 18th, a noir political thriller set in Scotland. It’s available through the link above, or wherever you buy your books. His current, work-in-progress is a mystery-thriller set in Oregon’s wine country…A (pinot) Noir, called Witness Tree.

A Seattle native (mostly), James now lives in South Philadelphia with his wife and three children. He’s a member of the The Mystery Writers of America, Int’l Assoc. of Crime Writers, Int’l Thriller Writers, Philadelphia Dramatists Center and is the vice-president of the Delaware Valley chapter of the Sisters in Crime network. James has an MFA from the University of Washington in Seattle.

For a full list of appearances and readings, make sure to check out his Events/About page. And follow this blog!

His most recent short fiction is below. The first is available for online reading.

“Eight O’Clock Sharp” in Retreats from Oblivion: the Journal of NoirCon. (free online)
Set in Philadelphia’s 9th Street Market, Thomas is a man outside of time, forgotten, but trying to do the right thing while contending with avaricious forces.

“Ultimatum Games” in Rock and Hard Place magazine issue #7
A rare book heist, bad decisions. The narrator and his partner-in-crime clash over evolving bourgeois norms.


“Nostalgia” in Low Down Dirty Vote, vol. 3
An armed group tries to resurrect a past that never was as they struggle with change.