Representing

Recently, I’ve seen Facebook posts and a Tweets (each with a dozen attending comments) regarding fellow writers’ concerns about in-person readings and book signings; and I’ve heard privately from others about their discomfort over large gatherings. I absolutely get those concerns, and I would never disparage or second-guess another person’s reasons for wanting to remain safe and healthy.

What I would like to do is talk about the importance and value of these get-togethers, and my hope that they will return in full force sooner rather than later. The Zoom readings do have value in a number of ways, but they are no substitute for a live gathering.

Annamaria Alfieri and Gary Cahill

Last night (Tues., April 12, 2022) I was the first reader in the latest installment of the MWA-NY Reading Series at KGB Bar, along with Gary Cahill, Tom Avitabile, Bill Chambers, A. J. Sidransky and Albert Tucher–and it was wonderful! It felt great to be out and about, to (re)connect with old friends, meet new people, and to hear first-hand what others are doing and working on. The place filled up nicely, too. A good mix of people (say, 20+) came out on a Tuesday night to hear crime stories. There was an energy and vitality in the room that you can’t get over a screen.

At KGB, as is true at Shade Bar, in Wilmington, West Chester and other venues, the audiences are generous, knowledgeable, and attentive. As I’ve written elsewhere there’s no substitute for a live audience, and these readings series and Noirs at the Bar give us one filled with writers and readers who are both avid fans.

Like many writers, I use these short readings as a way to try out new work or work-in-progress. It’s similar to stand-up comedy, I think, in that there’s no buffer. You wrote the words, and you’re speaking and representing them. You’re putting it out there. And there’s no mistaking a moment when you’ve lost the audience. These writers and readers know what grabs them, too, and you can see it in their faces when something you’re reading doesn’t sound right…or drags on too long.

Which, when/if it happens is a horrible moment (not that I would know, personally! :). But it’s a necessary moment, and it’s far better to be forced to grapple with why and how something isn’t working early(ish) in the process before you start pitching and querying. Even when you’re reading something that’s already out in the world, audience reactions can inform and inspire a current work.

As a reader/performer, I think, you have at least two reciprocal roles for the evening–performer and audience member. As writers in a community, we do more than just cheerleading. It reminds me of moments when you hear professional athletes speak about a fellow athlete, sometimes even a competitor. They’re fans, too! They understand and respond to another athlete’s playing on an informed level.

There’s also the serendipity of being in a room full of people who care about writing and story. One of the readers last night, Tom Avitabile was answering a question from someone who was clearly very taken with Tom’s reading. In his response, a single word leapt out at me that fused a lot of things I had been thinking about my own work, an image grew in my mind for how I should think about the structure of the rest of the book. I’m not sure when or if that spark would have come without his comment–one about something else entirely, and not even directed to me. (And bonus, his new thriller hits the ground running, and sounds fabulous.)

Finally, it’s just fun to be out and hearing stuff!

The next MWA-NY/KGB Reading Series is June 14 (I think). I’m planning to go, and I hope to see all of you there.

# # #

The selection I read Tuesday night, from Witness Tree is months away from being finished. But you can check out my latest short stories and novels below:

Eight O’Clock Sharp” in Retreats from Oblivion: the Journal of NoirCon.
Set in the 9th Street Market, Thomas is a man outside of time, forgotten, but trying to do the right thing while contending with avaricious forces.

“Ultimatum Games” in Rock and Hard Place magazine issue #7
A rare book heist, bad decisions. The narrator and his partner-in-crime clash over evolving bourgeois norms.


“Nostalgia” coming May 15 in Low Down Dirty Vote, vol. 3
An armed group tries to resurrect a past that never was as they struggle with change.

James McCrone

James McCrone is the author of the Imogen Trager political suspense-thrillers Faithless ElectorDark Network and Emergency Powers–noir tales about a stolen presidency, a conspiracy, and a nation on edge. All books are available on BookShop.org, IndyBound.org, Barnes & Noble, your local bookshop, and Amazon. eBooks are available in multiple formats including Apple, Kobo, Nook and Kindle.

His next book, w/t Bastard Verdict, is a noir political thriller set in Scotland. He’s currently writing a mystery-thriller set in Oregon’s wine country…A (pinot) Noir, w/t Witness Tree.

A Seattle native (mostly), James now lives in South Philadelphia with his wife and three children. He’s a member of the The Mystery Writers of America, Int’l Assoc. of Crime Writers, Int’l Thriller Writers, Philadelphia Dramatists Center and is the vice-president of the Delaware Valley chapter of the Sisters in Crime network. James has an MFA from the University of Washington in Seattle.

For a full list of appearances and readings, make sure to check out his Events/About page. And follow this blog!

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