Dark Skies – writing for your breakfast

Posted on August 29, 2022 by James McCrone

I have joined the ranks of the #5amwritersclub—an elite band whose only membership requirement is that you haul yourself out of bed and write until it’s time to go to work.

When I started a new job in May, I gave myself permission to put my writing on the back-burner for the first two months while I got my feet under me. I would write nights and weekends, I told myself, as I had done before, producing three novels—Faithless Elector, Dark Network and Emergency Powers. All would be well.

The new Director of the Tacony Community Development Corp. (Phila.)

But it’s now three months since I started, and writing at night isn’t working this time, and spending weekends at the keyboard was like trying to add distance to a run or establish a rhythm to a workout you only did once a week. Yes, I made progress on the current book, Witness Tree, but it was tortured, and it wasn’t much. I wasted a lot of Saturdays just getting back to where I’d left off.

The doubts and problems every writer faces grew larger, more numerous, and more ominous.

(writer)-Doom scrolling through social media, I’d see the writer Richie Narvaez post something on social media about the “#5amwritersclub.” His Tweets were often 2 hours old when I came to them. So I reached out to him about 5am writing. Did it work? Was he productive? I was leery of trying to be sparkling and brilliant at such an early hour, but he graciously told me about his routine and process, and he said he’d been able to get things done. I resolved to begin immediately, the next day.

But what one resolves to do and what one does are often two very different things, and I slept through to my second alarm the whole first week, the dark sky writing hours passing me by. I think my determination was undermined in part from my teaching experience of some 30 years ago when I taught English comp at a pair of community colleges in the Seattle area–and two winters in a row I was assigned the early morning classes (for students who worked 9-5, as I do now).

Those two winters, my first class began at 6:30 in the morning. My second class was at 7:30. I was done with my teaching day just as the first rays of sunrise brightened (if you can call it that) the unrelenting Pacific Northwest cloud cover with faint yellows and purples, like a deep bruise that isn’t healing well. One day, a young woman came in to tell me she was dropping my class. It took me a moment to even remember that she’d been in the class, until I realized that she had been the one who slept, her head tipped backward into the row behind. I knew her neck and the underside of her jaw better than her face.

Sometimes, rather than get up at 5am to be on time to teach my class, I would just stay awake. Students would see the stamps from various clubs on my hand and wonder what I’d done the previous night.

I wanted to say to them: “this is the previous night!”

I consoled myself with the difficulty of those winters by telling myself that I was young, this kind of thing wasn’t forever. Yet here I am.

Finally I’ve begun to get up, to put my ass in the chair and get to work. Not every day is perfect, but then they never were, even under the best circumstances. It’s often said that someone “finds his rhythm,” whereas I think rhythm found me. The book is moving forward again, I’ve started two new short stories. And there are extras, too.

There is no punishing heat when I step out back for a coffee before settling to work. It’s cool (or at least not blazing hot) at 5 am, the humidity tamed, even if the wildlife isn’t. I feel that I stand at the edge of a dark sea of possibility. A sense of hope attends those first caffeinated sips and carries me through the first half hour or more of writing. The birds aren’t even awake. But some things are.

Two mornings in a row, I watched a pair of South Philly raccoons tenderly…[OK, I gotta be honest here: I have no idea what they were doing] …retire to wherever it is they go when they climb across my neighbors’ roofs and disappear for the day. I see the bats call it a night and zip off somewhere.

I’m glad I started when I did. Already, the sun is rising later and setting earlier. Had I tried to begin this journey in the winter, I’m not sure I’d have made the tentative start I have so far.

# # #

You can check out McCrone’s recent short stories and novels below:

“Eight O’Clock Sharp” in Retreats from Oblivion: the Journal of NoirCon. (free online)
Set in Philadelphia’s 9th Street Market, Thomas is a man outside of time, forgotten, but trying to do the right thing while contending with avaricious forces.

“Ultimatum Games” in Rock and Hard Place magazine issue #7
A rare book heist, bad decisions. The narrator and his partner-in-crime clash over evolving bourgeois norms.

“Nostalgia” in Low Down Dirty Vote, vol. 3
An armed group tries to resurrect a past that never was as they struggle with change.

James McCrone is the author of the Imogen Trager political suspense-thrillers Faithless Elector, Dark Network , and Emergency Powers–noir tales about a stolen presidency, a conspiracy, and a nation on edge. All books are available on BookShop.org, IndyBound.org, Barnes & Noble, your local bookshop, and Amazon. eBooks are available in multiple formats including Apple, Kobo, Nook and Kindle.

His next book, w/t Bastard Verdict, is a noir political thriller set in Scotland, currently under review. His work-in-progress is a mystery-thriller set in Oregon’s wine country…A (pinot) Noir, called Witness Tree.

A Seattle native (mostly), James now lives in South Philadelphia with his wife and three children. He’s a member of the The Mystery Writers of America, Int’l Assoc. of Crime Writers, Int’l Thriller Writers, Philadelphia Dramatists Center and is the vice-president of the Delaware Valley chapter of the Sisters in Crime network. James has an MFA from the University of Washington in Seattle.

For a full list of appearances and readings, make sure to check out his Events/About page. And follow this blog!

Representing

Posted on April 14, 2022 by James McCrone

Recently, I’ve seen Facebook posts and a Tweets (each with a dozen attending comments) regarding fellow writers’ concerns about in-person readings and book signings; and I’ve heard privately from others about their discomfort over large gatherings. I absolutely get those concerns, and I would never disparage or second-guess another person’s reasons for wanting to remain safe and healthy.

What I would like to do is talk about the importance and value of these get-togethers, and my hope that they will return in full force sooner rather than later. The Zoom readings do have value in a number of ways, but they are no substitute for a live gathering.

Last night (Tues., April 12, 2022) I was the first reader in the latest installment of the MWA-NY Reading Series at KGB Bar, along with Gary Cahill, Tom Avitabile, Bill Chambers, A. J. Sidransky and Albert Tucher–and it was wonderful! It felt great to be out and about, to (re)connect with old friends, meet new people, and to hear first-hand what others are doing and working on. The place filled up nicely, too. A good mix of people (say, 20+) came out on a Tuesday night to hear crime stories. There was an energy and vitality in the room that you can’t get over a screen.

At KGB, as is true at Shade Bar, in Wilmington, West Chester and other venues, the audiences are generous, knowledgeable, and attentive. As I’ve written elsewhere there’s no substitute for a live audience, and these readings series and Noirs at the Bar give us one filled with writers and readers who are both avid fans.

Like many writers, I use these short readings as a way to try out new work or work-in-progress. It’s similar to stand-up comedy, I think, in that there’s no buffer. You wrote the words, and you’re speaking and representing them. You’re putting it out there. And there’s no mistaking a moment when you’ve lost the audience. These writers and readers know what grabs them, too, and you can see it in their faces when something you’re reading doesn’t sound right…or drags on too long.

Which, when/if it happens is a horrible moment (not that I would know, personally! :). But it’s a necessary moment, and it’s far better to be forced to grapple with why and how something isn’t working early(ish) in the process before you start pitching and querying. Even when you’re reading something that’s already out in the world, audience reactions can inform and inspire a current work.

As a reader/performer, I think, you have at least two reciprocal roles for the evening–performer and audience member. As writers in a community, we do more than just cheerleading. It reminds me of moments when you hear professional athletes speak about a fellow athlete, sometimes even a competitor. They’re fans, too! They understand and respond to another athlete’s playing on an informed level.

There’s also the serendipity of being in a room full of people who care about writing and story. One of the readers last night, Tom Avitabile was answering a question from someone who was clearly very taken with Tom’s reading. In his response, a single word leapt out at me that fused a lot of things I had been thinking about my own work, an image grew in my mind for how I should think about the structure of the rest of the book. I’m not sure when or if that spark would have come without his comment–one about something else entirely, and not even directed to me. (And bonus, his new thriller hits the ground running, and sounds fabulous.)

Finally, it’s just fun to be out and hearing stuff!

The next MWA-NY/KGB Reading Series is June 14 (I think). I’m planning to go, and I hope to see all of you there.

# # #

The selection I read Tuesday night, from Witness Tree is months away from being finished. But you can check out my latest short stories and novels below:

“Eight O’Clock Sharp” in Retreats from Oblivion: the Journal of NoirCon.
Set in the 9th Street Market, Thomas is a man outside of time, forgotten, but trying to do the right thing while contending with avaricious forces.

“Ultimatum Games” in Rock and Hard Place magazine issue #7
A rare book heist, bad decisions. The narrator and his partner-in-crime clash over evolving bourgeois norms.

“Nostalgia” coming May 15 in Low Down Dirty Vote, vol. 3
An armed group tries to resurrect a past that never was as they struggle with change.

His next book, w/t Bastard Verdict, is a noir political thriller set in Scotland. He’s currently writing a mystery-thriller set in Oregon’s wine country…A (pinot) Noir, w/t Witness Tree.

For a full list of appearances and readings, make sure to check out his Events/About page. And follow this blog!

The elusive haggis

Posted on September 26, 2021 by James McCrone

Scotland has a number of foodstuffs you’d be hard pressed to find outside of Scotland—proper shortbread, porridge, good butter. And haddock is regarded as a “trash” fish here in the US, so smoked haddock is all-but impossible to get, except at internet specialty sites where it fetches prices per ounce that rival cocaine!

Haggis is another thing altogether.

Our family tried it when we lived in Edinburgh in the ‘seventies, when I was a boy, but we didn’t like it. My mother happened to mention our experience to a neighbor, who immediately asked which butcher my mother had seen. It was the wrong butcher, the neighbor tutted, and we tried it again from the correct butcher. It was good!

My American haggis journey began in 1997, when my wife and I decided to have a proper Burns Supper with friends in Seattle. I scoured the city for the Chieftain of the Puddin’ Race. With no luck. If butchers even knew what it was (and more than half claimed not to), they still didn’t have it. I grew desperate. Remembering that there could be great variation in quality and taste, I worried that I’d just have to settle for whatever I could get, and risk that the friends I was inviting over might get a poorly made one, and dislike haggis from then on.

Hoping for some guidance, I took a chance and called a number in the phone book, “Scottish Connections.”

Mrs Wilson answered. She had a lovely, lilting Edinburgh accent. I told her I was looking for haggis.

“Weel, dear, yer starting a bit late, aren’t you?”
“Yes,” I admitted, “but I’ve been trying for weeks.” Did she know of anywhere I could get it?
“I could let ye have one…but I’m afraid I’ll have to charge you,” she said.
Ah, here it comes, I thought. The soak. “I see. How much were you thinking, Mrs. Wilson?”
“Well,” she began cautiously, “it’ll end up costing you at least five dollars.” She sounded genuinely apologetic, though at this point I’d have paid $20 and still felt like I’d done well. “You could come over now, if you’d like,” she said.
I rushed over, lest someone else beat me to her last one.

On the night, it turned out to be sublime, and very well made. And best of all—illicit!

Because it turns out that wee Mrs. Wilson, well into her pensioner years, had—and not for the first time—smuggled eight or ten haggis across the Canadian border where she’d procured them from a butcher in Burnaby, British Columbia, who made them in the traditional way—“lights” and all. Not all heroes wear capes!

One of the ingredients in a traditional haggis is the sheep’s “lights,” its lungs. The USDA will not allow food for human consumption that contains sheep’s lungs. Which, when you write it out like that, sounds kinda like a good thing.

But the point is that traditional haggis uses it–and has done for centuries. Canada, Australia, New Zealand and the UK are fine with “lights” in their haggis. It’s only our own Dept. of Agriculture that prissily abjures it.

I loved that not only were we getting haggis, but a true one. That it was also smuggled, like whisky from the Highlands, only added to its steamy, earthy savor. I imagined Mrs. Wilson and her husband at the Blaine border crossing sweetly, innocently claiming they had nothing to declare, when in fact the car was sitting low on its springs under the weight of all the bootleg haggis they carried—less Robert Mitchum’s Thunder Road, perhaps, and more a Matlock-era Andy Griffith version.

On Burns Night, we feasted, we toasted, we read not only from Burns, but from William McGonagall (a friend was from Monifieth, near Dundee, and if Burns was the poet laureate of Scotland, McGonagall was the eedjit laureate of Dundee; a poet so bad that pubs would pay him NOT to read his poetry in their shops).

And we raised a glass to Mr. and Mrs. Wilson, too. We had a grand and a delicious time.

Next up, further tales and travails of the elusive haggis on American shores.

# # #

His work, “Numbers Don’t Lie” recently appeared in the 2020 short-story anthology Low Down Dirty Vote, vol. 2, and his short story “Ultimatum Games” will appear in Rock and a Hard Place in issue #7 this fall. His next book, w/t Bastard Verdict, is a noir political thriller set in Scotland.

A Seattle native (mostly), James now lives in South Philadelphia with his wife and three children. He’s a member of the The Mystery Writers of America, Int’l Assoc. of Crime Writers, Int’l Thriller Writers, Philadelphia Dramatists Center and is the newly elected vice-president of the Delaware Valley chapter of the Sisters in Crime network. James has an MFA from the University of Washington in Seattle.

For a full list of appearances and readings, make sure to check out my Events/About page. And follow this blog!

Better Next Time…

Posted on July 29, 2021 by James McCrone

The Atlantic published an article this week, “The Unraveling of the Trump Era,” by Olga Khazan, who notes: “Trump’s team fell short because it often made mistakes in the nitty-gritty work of rule-making… That might come as a relief to Democrats, but it’s actually a warning: All it will take is someone with the same priorities as Trump, but better discipline, to reshape the way the government works.”

The comedian and host of Last Week Tonight, John Oliver, referred to the Trump administration’s all-thumbs approach to governing as “Stupid Watergate,” which he described as “a scandal with all the potential ramifications of Watergate, but where everyone involved is stupid and bad at everything.”

The Faithless Elector series (while not about Trump) mines and articulates the very real dangers of what could happen if a group of ruthless, disciplined and canny political operators were to try to seize control of government—and then cement their grip.

We’ve seen the lock (goose) step of the vast majority of the GOP. If such a president had majorities in both houses of Congress, he could enact what he wanted. If he had a pliant Att’y General and had successfully remade the Office of Personnel Management to be under the aegis of the White House as he tried to do (thus a return to the spoils system of patronage government), the few things such an administration enacted that were contested might easily be upheld by a craven Supreme Court, bent on returning the nation to the 19th century. And the DOJ could become solely the tool of the president.

Also from Khazan’s article: “The rule process is specific, technical, and tedious, which did not exactly fit Trump’s style. Some experts say Trump’s agencies wrote their rules carelessly…”

The genesis of Faithless Elector books and the conspiracy bent on seizing control and remaking the nation in their own bloodless image was not Trump, but the W Bush administration–and the work of Cheney, Rumsfeld and Carl Rove. Cheney and Rumsfeld cut their teeth under Nixon, and they were aggrieved by the rejection of their candidate and the repudiation of the so-called Imperial Presidency. They were savvy, cunning, and understood intimately how government works. They set about bending it to their oligarchic will. It was Rove’s job to ensure a “permanent Republican majority.”

It’s touching that fewer than 20 years ago the GOP still cared about elections.

Beginning with the first book, Faithless Elector (published in spring 2016 before Trump was even the Republican candidate), the conspirators recognize that they do not have a majority, and so they set out to manipulate the Electoral College. In Dark Network, they work on the rules and try to manipulate a Contingency Election. In the final book, Emergency Powers, the conspiracy starts working hard on eating government from the inside out.

It’s worth noting that while the Faithless Elector series was prescient in many ways, the era in which we find ourselves may not be a rebirth of freedom and democracy but–for the forces arrayed against democratic accountability and the rule of law–nothing more than an unfortunate, regrettable interlude in their dark march. And they will delay, distract and bide their time.

People like Mitch McConnell play the long game, and they’re patient. And ruthless.

# # #

James McCrone is the author of the Imogen Trager political suspense-thrillers Faithless Elector , Dark Network , and Emergency Powers–noir tales about a stolen presidency, a conspiracy, and a nation on edge. All books are available on BookShop.org, IndyBound.org, Barnes & Noble, and Amazon. eBooks are available in multiple formats including Apple, Kobo, Nook and Kindle.

His work, “Numbers Don’t Lie” also recently appeared in the 2020 short-story anthology Low Down Dirty Vote, vol. 2, and his short story “Ultimatum Games” will appear in Rock and a Hard Place in issue #7 this fall. His next book, w/t Bastard Verdict, is a noir political thriller set in Scotland.

A Seattle native (mostly), James now lives in South Philadelphia with his wife and three children. He’s a member of the The Mystery Writers of America, Int’l Assoc. of Crime Writers, Int’l Thriller Writers, Philadelphia Dramatists Center and is the newly elected vice-president of the Delaware Valley chapter of the Sisters in Crime network. James has an MFA from the University of Washington in Seattle.