Scenes from Bastard Verdict, part two, Kelvingrove Park

I needed to create a whole life for Imogen in Bastard Verdict, and it’s interesting how choices about a character can lead you to other revelations. And there’s no substitute for traveling the paths your characters will walk.

Imogen’s walk to work

I took two writing courses from the Sci-Fi writer Joanna Russ. She would drill through short story drafts, asking students, “What did the sky look like?” “Where is the sun?” “What are the smells in the air?” She didn’t mean that you had to give a moment-to-moment disquisition on the weather, but that you, the writer, had to know–and SEE–it in order to render a successful scene, regardless of which details you chose to use.

While scouting locations for Bastard Verdict, I was staying in Glasgow’s West End, which was fantastic. And I could see Imogen wanting to be there. I certainly did! And I hoped some of that enthusiasm came through on the page.

Bentinck St., near the park

She was a visiting scholar at University of Glasgow, and I decided that she should take a one-year lease on a flat on Bentinck Street in Glasgow’s West End. And that she could walk to work at the university (Adam Smith bldg) through beautiful and inspiring Kelvingrove Park–a fifteen to twenty minute walk. It seemed perfect.

A Glaswegian friend said that sounded nice, “but she doesn’t walk through there at night, right?” (I hadn’t thought about that, frankly.)

So, I started out one morning from Bentinck Street and I walked the route in early morning, and again in that night, coming down from campus.

Park entrance from Kelvingrove Street

That morning, I entered the park from Kelvingrove Street and ambled through, navigating by keeping the university’s high tower in view. I stopped twice to write down impressions, to make quick, written sketches of what I was seeing, what the air was like, who was about. Coming back through at night, I did not tarry anywhere. I didn’t feel threatened in any way, but I did see that maybe walking through the park late at night would be a mistake. Still, early morning and early evening was lovely.

Looking at the university’s skyline through the trees, I was reminded of Oxford’s “dreaming spires,” which I grew to love when we lived there on two separate occasions.

But there was a difference in the Glasgow University skyline.

So, as Imogen walks through the park with Ian Ross in fading daylight, I wrote:

<<Imogen stopped and turned round to face the main building’s neo-Gothic tower, looming over the park’s trees.

“It’s almost too dark now,” she said to him, “but I love seeing the university from here. I’ve only seen pictures of Oxford University’s ‘dreaming spires,’ but I think I like these better. There’s no dreaming here, but slow-burn energy, dark jets of coal fire poking out over the trees.”

“But not after dark,” said Ross. “Here, I mean.”>>

I liked the image of “jets of coal fire,” because that’s what I saw myself, and it reminded me of my boyhood in Edinburgh. Our tenement didn’t have central heating, only coal fireplaces in the main rooms. As a boy of ten years old, I was endlessly fascinated with the small bursts of coal fire poking through the embers.

As much as I liked it, though, I vacillated over whether to keep the passage in. Though the book’s written in third-person, it’s Imogen’s consciousness, we’re “looking over her shoulder,” and I wondered where (or whether) she’d seen a coal fire. She’s originally from the small town of Ripley, Ohio, right across the Ohio River from Kentucky. (She and Ewan, from Alyth, bond over their small-town experiences.)

Ripley, OH, is a bit west of “coal country.” The bituminous coal seams hew closer to the border with West Virginia. But it’s pretty close.

So I took a leap. I hope it works for readers.

Kelvingrove Park will end up playing yet another role later in the story…

Up next, spare ground and settings for murder.

# # #

Bastard Verdict is available now in paperback, and eReader!

YOU DON’T NEED TO WIN, JUST DON’T LOSE
In politics, people cheat to win, or because they’re afraid to lose. The difference can be deadly.

Imogen will risk what’s left of her standing, her career–and maybe her life–to get at the truth.

James McCrone is the author of the Imogen Trager political suspense-thrillers Faithless ElectorDark Network and Emergency Powers–noir tales about a stolen presidency, a conspiracy, and a nation on edge. Bastard Verdict, his fourth novel, is about a conspiracy surrounding a second Scottish Independence referendum. To get the details right for the new thriller, he drew on his boyhood in Scotland and scouted locations for scenes in the book while attending Bloody Scotland.

All books are available on BookShop.org, IndyBound.org, Barnes & Noble, your local bookshop, and Amazon. eBooks are available in multiple formats including Apple, Kobo, Nook and Kindle.

He’s a member of MWA, Int’l Assoc. of Crime Writers, and he’s the new president of the Delaware Valley Sisters in Crime chapter. He lives in Philadelphia. James has an MFA from the University of Washington in Seattle. His current, work-in-progress is a mystery-thriller set in Oregon’s wine country…A (pinot) Noir, called Witness Tree.

For a full list of appearances and readings, make sure to check out his Events/About page. And follow this blog!

His most recent short fiction is below. The first is available for online reading.

Eight O’Clock Sharp” in Retreats from Oblivion: the Journal of NoirCon. (free online)
Set in Philadelphia’s 9th Street Market, Thomas is a man outside of time, forgotten, but trying to do the right thing while contending with avaricious forces.

“Ultimatum Games” in Rock and Hard Place magazine issue #7
A rare book heist, bad decisions. The narrator and his partner-in-crime clash over evolving bourgeois norms.

“Nostalgia” in Low Down Dirty Vote, vol. 3
An armed group tries to resurrect a past that never was as they struggle with change.

Scene settings from #BastardVerdict, part one

I’ve had some lovely notes from readers about the new thriller Bastard Verdict, and one of the things that’s often called out is that they know well the locations I use. During my recent trip to Scotland for Bloody Scotland, I took the opportunity to revisit many of the settings–in Glasgow, Edinburgh and Alyth. I didn’t make it to Dundee on this trip, but I have photos from my original visit in 2019.

In the novel, Imogen Trager, an FBI agent with a PhD in political science, is taking leave from the Bureau as a visiting fellow at University of Glasgow. She’s nervous about this new role, and committed to keeping her nose clean while away. Her inability to do so in the past is one of the reasons her bosses at the Bureau are happy she’s taking this sabbatical.

The Adam Smith Building figures largely in the book. Imogen’s office is broken into there, and her ally Wee Frankie has his office just down the hall. And the story opens there as Imogen gives her inaugural lecture:

<<Anyone with the temerity to look upward into the rain that night on campus would have witnessed a kind of negotiated settlement between light and dark, as the wet Glasgow night held the pale glow from the Adam Smith building’s top floor close in a murky halo.

One man did look up, before sullenly returning to the meager shelter of a young birch tree outside the west entrance to the building. He mopped his face and dabbed his bald head with a handkerchief as he settled back against the tree trunk.

Inside those high windows, brightness reigned, the lecture theatre dazzlingly arid and contemporary. Though it was chilly for all that. Not that Imogen noticed. Within her slow-burn, imposter syndrome panic, she felt flushed, anxious as she began taking questions…>>

Imogen’s barely been in Scotland for a week, when one of her new colleagues, together with a Scottish government official, ask her to look into irregularities in the first Independence referendum.

<<“Maybe you might look at it?” he says. “Unofficially, of course. Because irrespective of what’s been said publicly, a number of us are pretty convinced it was stolen last time. And if this second referendum does go forward, we want to make sure it isn’t stolen again.”

She walks to the department dinner with the official, Ian Ross. Surely, Imogen counters, there must be any number of people qualified to investigate. “Why me?” she asks again.

“It’s delicate,” he said, looking behind them for a moment. “Anyone we might use officially would be embedded in or seconded from the Electoral Commission or the Met. Or both. And they would have to make reports. Once that starts, we couldn’t be certain whom they were telling or where their directives were coming from—a clusterfuck, if I might borrow a vivid American term—of epic proportions.”

Christ, she thought, it sounded a lot like the situation she was running from at the FBI, even if it was delivered in a dulcet Scottish accent…>>

Meanwhile, the bald man who stood vigil outside the Adam Smith building is following them.

That same night, in Dundee, Buff Lindsey, “shop steward” for a local crime syndicate, interrogates and murders a man who had been following him for three days. He learns nothing.

Next up, “dark jets of coalfire.”

# # #

Bastard Verdict is available now in paperback, and eReader!

YOU DON’T NEED TO WIN, JUST DON’T LOSE
In politics, people cheat to win, or because they’re afraid to lose. The difference can be deadly.

Imogen will risk what’s left of her standing, her career–and maybe her life–to get at the truth.

James McCrone is the author of the Imogen Trager political suspense-thrillers Faithless ElectorDark Network and Emergency Powers–noir tales about a stolen presidency, a conspiracy, and a nation on edge. Bastard Verdict, his fourth novel, is about a conspiracy surrounding a second Scottish Independence referendum. To get the details right for the new thriller, he drew on his boyhood in Scotland and scouted locations for scenes in the book while attending Bloody Scotland.

All books are available on BookShop.org, IndyBound.org, Barnes & Noble, your local bookshop, and Amazon. eBooks are available in multiple formats including Apple, Kobo, Nook and Kindle.

He’s a member of MWA, Int’l Assoc. of Crime Writers, and he’s the new president of the Delaware Valley Sisters in Crime chapter. He lives in Philadelphia. James has an MFA from the University of Washington in Seattle. His current, work-in-progress is a mystery-thriller set in Oregon’s wine country…A (pinot) Noir, called Witness Tree.

For a full list of appearances and readings, make sure to check out his Events/About page. And follow this blog!

His most recent short fiction is below. The first is available for online reading.

Eight O’Clock Sharp” in Retreats from Oblivion: the Journal of NoirCon. (free online)
Set in Philadelphia’s 9th Street Market, Thomas is a man outside of time, forgotten, but trying to do the right thing while contending with avaricious forces.

“Ultimatum Games” in Rock and Hard Place magazine issue #7
A rare book heist, bad decisions. The narrator and his partner-in-crime clash over evolving bourgeois norms.


“Nostalgia” in Low Down Dirty Vote, vol. 3
An armed group tries to resurrect a past that never was as they struggle with change.

Philly Freedom (2) – Setting as Character

I got to Philly by way of Scotland.

That is, writing about it. I’ve been fascinated by how, indeed whether, a story’s setting can work like a character. Could something happen here that wouldn’t happen somewhere else? What effect does place have on a story? This past year, as I wrote here, I began writing about the place I live.

While working on my fourth novel Bastard Verdict, a political thriller set primarily in Glasgow and Dundee, I found that the details I included to make those cities come alive (Glasgow in particular) kept reminding me of home, of Philly: the contention between old and new; of a splintered city with deep, working class roots (and pride), struggling with its sense of itself, straining against the blanchissage of what had made the city unique.

Glasgow tenements
Society Hill row houses – Phila.

Both Glasgow and Philadelphia are old cities, perennially on-the-rise in some manner, only to slide grindingly backward in some other. Both cities played an outsized role as heralds of- and key players in the Industrial Revolution. Both were once strong in ship building. Kinship, religion, ethnicity and race count for a lot. Multiple generations live with- or around the corner from one another.

Any fan of William McIlvannie’s work (particularly, the Laidlaw mysteries) knows in their bones that while the stories resonate with readers outside of the city, the characters and stories only make sense in relation to Glasgow. McIlvanney’s vivid description of his town – “It was the right hand knocking you down and the left hand picking you up, while the mouth alternated apology and threat” – sounded and felt a lot like Philadelphia, in a way I’d have never thought of in relation to the Seattle of my youth. Other cities have tough reputations, certainly, but here things are personal.

And it was that sense of the personal set in a unique place which has (re)animated my writing.

Divine intervention

In Philly, there’s a casual, winking corruption and/or indifference to authority, which grapples with WASP-y notions of order and tutting bourgeois sensibilities. It’s as much a legacy (if you want to call it that) of organized crime as it is an understanding, an acknowledgement that people need to get along, and allowances must be made. So yes, if you do your home-remodel on weekends and evenings, you can probably get it done without pulling permits. Who’s to know? And who’d report you? And outside of Center City you can park on the sidewalk, or in the left turn lane along Broad Street. It’s not legal, but again….

How else are youse gonna stay warm?
9th Street Market, Phila.

I don’t want to write about the 70’s and organized crime. I want to write about here and now–the juxtaposition of splendor and squalor, of what it means to leap forward while leaving whole parts of a city stuck behind. And I wonder if some of the people I’ve just deemed as “left behind” would see it that way.

When I briefly worked at the 9th Street/Italian Market here, I had complaints from time to time from newer residents about the trash can fires that the day-stall workers set to keep warm outside in the winter.

“Is that even legal?” they’d ask. “Aren’t those pallets they’re burning treated with something that might be toxic?”

I had zero time for these discussions, and typically I would nod gravely, promise to look into the matter, but know that I would do nothing. I remember one such conversation where I noted that “It would have to be the cops who enforced it, and”–I pointed towards the Market’s beat cop warming his hands over one as he chatted with the stall owner–“I’m afraid he’s the one who’d have to do it.”

# # #

If you want to check out these latest short stories, you can find them here:

Eight O’Clock Sharp” on Retreats from Oblivion: the Journal of NoirCon.
Set in the 9th Street Market, Thomas is a man outside of time, forgotten, but trying to do the right thing while contending with avaricious forces.

“Ultimatum Games” in Rock and Hard Place magazine issue #7
A rare book heist. The narrator and his partner in crime clash over evolving bourgeois norms.


“Nostalgia” coming May 15 in Low Down Dirty Vote, vol. 3
An armed group tries to resurrect a past that never was as they struggle with change.

James McCrone

James McCrone is the author of the Imogen Trager political suspense-thrillers Faithless ElectorDark Network and Emergency Powers–noir tales about a stolen presidency, a conspiracy, and a nation on edge. All books are available on BookShop.org, IndyBound.org, Barnes & Noble, your local bookshop, and Amazon. eBooks are available in multiple formats including Apple, Kobo, Nook and Kindle.

His next book, w/t Bastard Verdict, is a noir political thriller set in Scotland.

A Seattle native (mostly), James now lives in South Philadelphia with his wife and three children. He’s a member of the The Mystery Writers of America, Int’l Assoc. of Crime Writers, Int’l Thriller Writers, Philadelphia Dramatists Center and is the newly elected vice-president of the Delaware Valley chapter of the Sisters in Crime network. James has an MFA from the University of Washington in Seattle.

For a full list of appearances and readings, make sure to check out my Events/About page. And follow this blog!

Philadelphia Freedom!

Missed garbage pickup, South Philly

I’m sure I’m not the only one who’s glad to see the back of 2021. Professionally, last year played out like the opening of some noir tale about a small-timer who dreamed of and failed at making his mark…Back list sales languished, the pitches for my fourth thriller met with stony silence, the third act of a comedy play wouldn’t come together. The dismal list goes on.

But in the midst of all this, I started writing short stories again, something I hadn’t done in years. And while two of my three published novels feature South Philly, they’re not set here, aren’t about the place where I live.

All that changed this past year.

Each is set in Philadelphia, and each, while different in tone and detail, confronts the tension between the competing experiences of- and aspirations for the lives of the city.

And some of those stories have found excellent homes:

This past weekend (1/15/2022) “Eight O’Clock Sharp” debuted on Retreats from Oblivion: the Journal of NoirCon.
Later this month, “Ultimatum Games” comes out in Rock and Hard Place magazine issue #7
And in May ’22, “Nostalgia,” will be my contribution to volume 3 of the Low Down Dirty Vote anthology.

#7

In each of the stories above (and one or two that haven’t yet found a home), I wanted the conflict to be not just personal and unique to the characters, but also to represent the lived contention in modern cities, like my Philadelphia.

In “Eight O’Clock,” set in the 9th Street Market, Thomas is a man outside of time, forgotten, but trying to do the right thing while contending with avaricious forces. In “Ultimatum Games,’ about a rare book heist, the narrator and his partner in crime clash over evolving bourgeois norms. And in “Nostalgia,” an armed group tries to resurrect a past that never was as they struggle with change.

I’ve been thinking more about setting as character, and will be writing about that interplay in future posts.

# # #

James McCrone

James McCrone is the author of the Imogen Trager political suspense-thrillers Faithless ElectorDark Network and Emergency Powers–noir tales about a stolen presidency, a conspiracy, and a nation on edge. All books are available on BookShop.org, IndyBound.org, Barnes & Noble, your local bookshop, and Amazon. eBooks are available in multiple formats including Apple, Kobo, Nook and Kindle.

His next book, w/t Bastard Verdict, is a noir political thriller set in Scotland.

A Seattle native (mostly), James now lives in South Philadelphia with his wife and three children. He’s a member of the The Mystery Writers of America, Int’l Assoc. of Crime Writers, Int’l Thriller Writers, Philadelphia Dramatists Center and is the newly elected vice-president of the Delaware Valley chapter of the Sisters in Crime network. James has an MFA from the University of Washington in Seattle.

For a full list of appearances and readings, make sure to check out my Events/About page. And follow this blog!