Home is where…?

1967 Passport Photo
L to R – me, my mother, brother John

It may be that passport photos are the true record of my existence. I’ve moved around a lot in my life, and I realized recently that later this year, I will have lived away from Seattle for longer than I lived there. How can I say, as I am wont to do, that I’m “mostly from Seattle?”

I’ve been blogging about place, and setting as character recently, about how where you are or where you come from expresses itself through the individual—either broadening horizons or constricting opportunities; about how it informs and effects a person’s outlook, influences or dictates perspectives. It’s been much on my mind. My latest thriller is Bastard Verdict, set in present-day Scotland against a backdrop of a potential second referendum on independence. (It debuts on May 18, 2023.)

Ferdinand de Saussure

Structural linguists will say that language “writes you;” that is, it’s a pre-existing construct which influences you more than you can change it.

Is place like language, then? And where am I from? Does one spot on the map have the greater claim on forging who I am? I’ve fetched up on the banks of the Delaware, with no marked accent, an inability to spell properly (“colour” looks wrong, but then so does “color”) and a manifest infatuation with proper football.

But can I write about Scotland? In Bastard Verdict, which takes place primarily in Glasgow and Dundee, I’ve brought to the page a compelling story that weaves high stakes and low politics, and realized a vivid ensemble cast. My alter-ego and recurring protagonist, FBI Agent and elections specialist Imogen Trager, is a visiting scholar at University of Glasgow. As the story opens, she’s looking for a little peace and to do some research, while she sorts out what to do next and where she might go.

I lived in Scotland as a boy–twice. In the UK taken together, I’ve spent a little over four years, plus countless visits. I’ve lived a great many other places too. I approached the story with a little more humility than I might otherwise have done. I worked with the editor Alan McMunnigall of Thi Wurd, to help with my tortured prose as much as to make sure descriptions and characterizations rang true.

Here’s why:

I lived in Seattle for 21 years, until recently, the longest I’d ever been in one place. But I was born in Chapel Hill, NC (my parents were in graduate school at UNC). When I was two, we moved to Madison, WI, and my father’s first faculty position. He was hired “ABD” and the family moved to Montevideo, Uruguay, for six months to finish his dissertation work.

Colchester school picture, Primary 1

Three years later we decamped from Madison for Edinburgh, Scotland, and then Colchester in Essex. A year after returning to Madison, we moved to Iowa City. Four years after that I returned with my family to the UK, this time to Edinburgh (Morningside) for the full school year.

Training, Football Club Villeneuvois, 1981

We moved to Seattle when I was 15, staying there for 21 years (though I had one blissful semester abroad in the southwest of France in the small town of Villeneuve-sur-Lot the first semester of my senior year).

I graduated high school in Seattle, got my Bachelors and an MFA there. Got married—twice!—and all three children were born there. And then we moved, just 8 weeks after our son, the youngest, was born.

My wife will say that despite my time in the Pacific Northwest, I’m a Midwesterner, that it offends me to the marrow when people don’t properly shovel their sidewalks after a snowfall. But I haven’t lived there since 1979 (though through the magic of Facebook, I still keep up with friends from those days; and funnily, Alan and I bonded a bit over IC, as he had spent a semester there at the University of Iowa.).

We left Seattle in the summer of 2000, and since then we’ve lived in State College, PA; Highland Park, NJ; and now Philadelphia. In that time, we also spent two separate school years in Oxford (2011-12, and ’15-’16). My younger daughter’s high school Spanish teacher was convinced that our family was in the witness protection program.

So how do I answer the question, ‘Where are you from?’ Because the question also seems to ask: what part of that place have you carried here? Our eldest child still lives in Seattle, but the other two don’t remember it all. So, saying they were born there means as little as my claim to Chapel Hill. And the subtext curl to the question reminds me of publisher’s need for “lived experience as [fill in the blank].”

One constant, I suppose, is academia, which is Imogen’s perch in the novel. My father was a political scientist, now retired, and it was for his work during the first 18 years of my life that we moved so often. I have an MFA, and I taught English at community college for three and a half years. I married an academic, also a political scientist (I’m sure Freud would have much to say about that!) But my three-year stint teaching English comp notwithstanding, I’ve always been at the periphery of university life.

In Edinburgh, we lived on Cluny Avenue, and my brother and I attended South Morningside Primary School on Comiston Road (the same school I had attended 5 years earlier). My brother and I both picked up Scottish accents, and we refer to the summer we returned to the US as “the summer of ‘what’?” No one, it seemed, could understand us. It was strange to be “back home” in Iowa, among our old friends, but still neither fish nor fowl–our Scottish friends had heard only our American accents, and our Iowa friends couldn’t penetrate our Scottish accent. But on the great plains, our cadence gradually (re)flattened and words like “skint” and phrases like “didja aye?” faded. But not my memories of how the place felt, the smells, the weather, the people.

# # #

James McCrone is the author of the Imogen Trager political suspense-thrillers Faithless ElectorDark Network and Emergency Powers–noir tales about a stolen presidency, a conspiracy, and a nation on edge. All books are available on BookShop.org, IndyBound.org, Barnes & Noble, your local bookshop, and Amazon. eBooks are available in multiple formats including Apple, Kobo, Nook and Kindle.

His next book, Bastard Verdict (out 18-May-2023), is a noir political thriller set in Scotland. His current, work-in-progress is a mystery-thriller set in Oregon’s wine country…A (pinot) Noir, called Witness Tree. Bastard Verdict is available to reviewers through NetGalley

A Seattle native (mostly), James now lives in South Philadelphia with his wife and three children. He’s a member of the The Mystery Writers of America, Int’l Assoc. of Crime Writers, Int’l Thriller Writers, Philadelphia Dramatists Center and is the vice-president of the Delaware Valley chapter of the Sisters in Crime network. James has an MFA from the University of Washington in Seattle.

For a full list of appearances and readings, make sure to check out his Events/About page. And follow this blog!

His most recent short fiction is below. The first is available for online reading.

Eight O’Clock Sharp” in Retreats from Oblivion: the Journal of NoirCon. (free online)
Set in Philadelphia’s 9th Street Market, Thomas is a man outside of time, forgotten, but trying to do the right thing while contending with avaricious forces.

“Ultimatum Games” in Rock and Hard Place magazine issue #7
A rare book heist, bad decisions. The narrator and his partner-in-crime clash over evolving bourgeois norms.


“Nostalgia” in Low Down Dirty Vote, vol. 3
An armed group tries to resurrect a past that never was as they struggle with change.

Philly Freedom (2) – Setting as Character

I got to Philly by way of Scotland.

That is, writing about it. I’ve been fascinated by how, indeed whether, a story’s setting can work like a character. Could something happen here that wouldn’t happen somewhere else? What effect does place have on a story? This past year, as I wrote here, I began writing about the place I live.

While working on my fourth novel Bastard Verdict, a political thriller set primarily in Glasgow and Dundee, I found that the details I included to make those cities come alive (Glasgow in particular) kept reminding me of home, of Philly: the contention between old and new; of a splintered city with deep, working class roots (and pride), struggling with its sense of itself, straining against the blanchissage of what had made the city unique.

Glasgow tenements
Society Hill row houses – Phila.

Both Glasgow and Philadelphia are old cities, perennially on-the-rise in some manner, only to slide grindingly backward in some other. Both cities played an outsized role as heralds of- and key players in the Industrial Revolution. Both were once strong in ship building. Kinship, religion, ethnicity and race count for a lot. Multiple generations live with- or around the corner from one another.

Any fan of William McIlvannie’s work (particularly, the Laidlaw mysteries) knows in their bones that while the stories resonate with readers outside of the city, the characters and stories only make sense in relation to Glasgow. McIlvanney’s vivid description of his town – “It was the right hand knocking you down and the left hand picking you up, while the mouth alternated apology and threat” – sounded and felt a lot like Philadelphia, in a way I’d have never thought of in relation to the Seattle of my youth. Other cities have tough reputations, certainly, but here things are personal.

And it was that sense of the personal set in a unique place which has (re)animated my writing.

Divine intervention

In Philly, there’s a casual, winking corruption and/or indifference to authority, which grapples with WASP-y notions of order and tutting bourgeois sensibilities. It’s as much a legacy (if you want to call it that) of organized crime as it is an understanding, an acknowledgement that people need to get along, and allowances must be made. So yes, if you do your home-remodel on weekends and evenings, you can probably get it done without pulling permits. Who’s to know? And who’d report you? And outside of Center City you can park on the sidewalk, or in the left turn lane along Broad Street. It’s not legal, but again….

How else are youse gonna stay warm?
9th Street Market, Phila.

I don’t want to write about the 70’s and organized crime. I want to write about here and now–the juxtaposition of splendor and squalor, of what it means to leap forward while leaving whole parts of a city stuck behind. And I wonder if some of the people I’ve just deemed as “left behind” would see it that way.

When I briefly worked at the 9th Street/Italian Market here, I had complaints from time to time from newer residents about the trash can fires that the day-stall workers set to keep warm outside in the winter.

“Is that even legal?” they’d ask. “Aren’t those pallets they’re burning treated with something that might be toxic?”

I had zero time for these discussions, and typically I would nod gravely, promise to look into the matter, but know that I would do nothing. I remember one such conversation where I noted that “It would have to be the cops who enforced it, and”–I pointed towards the Market’s beat cop warming his hands over one as he chatted with the stall owner–“I’m afraid he’s the one who’d have to do it.”

# # #

If you want to check out these latest short stories, you can find them here:

Eight O’Clock Sharp” on Retreats from Oblivion: the Journal of NoirCon.
Set in the 9th Street Market, Thomas is a man outside of time, forgotten, but trying to do the right thing while contending with avaricious forces.

“Ultimatum Games” in Rock and Hard Place magazine issue #7
A rare book heist. The narrator and his partner in crime clash over evolving bourgeois norms.


“Nostalgia” coming May 15 in Low Down Dirty Vote, vol. 3
An armed group tries to resurrect a past that never was as they struggle with change.

James McCrone

James McCrone is the author of the Imogen Trager political suspense-thrillers Faithless ElectorDark Network and Emergency Powers–noir tales about a stolen presidency, a conspiracy, and a nation on edge. All books are available on BookShop.org, IndyBound.org, Barnes & Noble, your local bookshop, and Amazon. eBooks are available in multiple formats including Apple, Kobo, Nook and Kindle.

His next book, w/t Bastard Verdict, is a noir political thriller set in Scotland.

A Seattle native (mostly), James now lives in South Philadelphia with his wife and three children. He’s a member of the The Mystery Writers of America, Int’l Assoc. of Crime Writers, Int’l Thriller Writers, Philadelphia Dramatists Center and is the newly elected vice-president of the Delaware Valley chapter of the Sisters in Crime network. James has an MFA from the University of Washington in Seattle.

For a full list of appearances and readings, make sure to check out my Events/About page. And follow this blog!

Landscape as character

Screen Shot 2019-05-03 at 11.21.11 AMRecently (May 2, 2019), CrimeReads did a fine piece on The Importance of Setting, but its focus was on whether it made sense to choose a real place or to invent one.

It’s an interesting read (and of course it added to my TBR pile!), but I’m fascinated with stories that use their settings almost as characters in their own right. Why did the story happen in one place and not another? Could the same story be told in a different locale? Why is this place different from any other?

Some of the most recent novels I’ve read–Buzz Killer by Tom Straw; Below the Fold by R. G. Belksy, Hipster Death Rattle by Richie Narvaez; Record Scratch by J.J. Hensley and August Snow by Stephen Mack Jones–all use the landscape of their chosen city very well.  For Tom Straw and R. G. Belsky, it’s New York City; for Narvaez it’s Brooklyn (Williamsburg); for JJ Hensley, it’s Pittsburgh; and for Stephen Mack Jones, Detroit. 

MultiBookI’m drawn to their subtly (and not-so subtly) expressed exasperation with how cities are changing. Since people started gathering in them, they’ve been a place of excitement, diversity and exchange, teeming with stories, with filth, and above all, a mixing of people. The writers listed above struggle with where we’re heading, and their protagonists and stories reflect that uneasiness.

Change has always been a constant, but this time feels different, they seem to say. In Buzz Killer, Macie Wild struggles with the notion that New York has become “a tale of three cities,” with little or no connection to one another; Belsky’s Clare Carlson struggles to synchronize a former New York’s giddy sense of possibility with what we see now.  JJ Hensley’s Pittsburgh and Stephen Mack Jones’s Detroit are wistfully rendered, detailing and juxtaposing what was…with what is. (My only quibble with Hensley is that when casting about for really violent, dangerous thugs, his Yinzers import a group of–of course!–Philadelphians, as clearly among the worst. C’mon! Cleveland’s closer. They don’t have head-breakers?)

I liked that Hipster Death Rattle focused on Williamsburg, and the fraught changes happening there. It put me in mind of where I live. When people ask where I live, I say South Philly, because I don’t want there to be any doubt about what I mean. It’s distinct from the suburbs (obviously) and from Center City, the Northeast or, say Fishtown. It’s changing, too, but it’s still a mix of people (mostly) getting loudly along. Stoop culture still prevails and a dense web of family and extended family live throughout the neighborhood, just around the corner, up the block; and that family life is still largely enacted in public.

This isn’t where I come from, but it’s where I’ve chosen to be. So far, I haven’t written anything that’s set mainly here in Philly, though parts of both Faithless Elector and Dark Network take place on Catharine Street. But, like the authors and their work I’ve discussed above, I feel that there’s something coming.

Invent a place or work with what you’ve got? There’s freedom in making it all your own, certainly. But there’s more source material in a real place.

 

NOTE: I’ve begun posting reviews of the books I’ve read, and they can be accessed here. I also post them on Amazon, Goodreads and BookBub.

 

James McCrone is the author of the Imogen Trager NoirPolitik thrillers Faithless Elector and Dark Network.  The third book, working title Emergency Powers, is coming soon.

JMc-author2.2017

Link to REVIEWS

If you live in Philadelphia, pick up copies at Head House Books -or- Penn Book Center or in Princeton at Cloak & Dagger Books.
For a full list of appearances and links to reviews, check out:

JamesMcCrone.com